Interview in ArtDependence Magazine

Published in september 2025 – by Dirk vanDuffel (klik hier voor Nederlandse versie)

Power, History, and Change: The Art of Marit Otto

Thursday, September 11, 2025

"Power, History, and Change": The Art of Marit Otto

Dutch artist Marit Otto experiences art on many levels and in many different ways. She looks for aesthetics and eloquence but also for a particular angle. 

Marit Otto creates contemporary engaged art. She says: “It has a certain urgency. It is reflecting us, people and the zeitgeist. Images speak louder than words and basically appeal very directly to our feelings. My images are something of a mix between activism and philosophy, they want to engage in dialogue.”

ArtDependence (AD): How does your work reflect your view of the world right now?

Marit Otto (MO): My work is a reflection of the Zeitgeist. It’s what I distract from the daily news, developments, movements and fashions. Questions it provokes, sadness it arouses, anger that it sparkles need to find their ways into something visual and meaningful.  Everything eventually solidifies into an image that hopefully radiates something universal, embodies beauty and is also identifiable as critical or/and philosophical. The image may be abrasive, provocative and controversial, but it must also be attractive. It must appeal to the viewer. 

This appeal is essential so that, after their initial encounter with the image, viewers feel compelled to explore it further.

AD: What role do you think art plays in connecting people today?

MO: To be honest, I have mixed feelings. On one hand we see an increase of art lovers all over the world. It has become less elitair and accessible for the masses. That’s a good development. On the other hand we see that commerce is getting a vast grip on every aspect of art in every art discipline.  It has more and more become so intertwined with capitalistic motives. While I truly believe, artists should be independent in their minds and souls. Their talents should not be used for mere financial gain and profits but to offer the world an alternative route or narrative. I believe that art is essential for connection and nuanced communication. But, that being said, also for a bit of fresh air in the minds and hearts.

AD: What message or feeling do you hope viewers take away from your art?

MO: I hope to shake them up a little and make them contemplate about the topics I present to them. This is my message always; there are alternative routes to the one we are all walking now. Change is up to us. But for seekers of beauty I hope to meet their expectations too. Celebrating beauty in art is not vain.

AD: Can you tell us the story behind the artwork artwork, Man’s World, painted this year.

MO:  We see a few men toying and tossing around with a blue ball, resembling the earth. One of them pushing the biggest ball has a likeness with Sisyphus, a figure from Greek Mythology. Sisyphus was a cunning man but made the mistake to challenge the Gods. Time and again he managed to escape the wrath of the gods, but in doing so he only made his ultimate punishment worse. His penalty was that he had to push a boulder up a mountain in Tartarus until the end of time. 

There are a few hooks in this respect with this day and age where men challenge Gods and her creations in many disrespectful ways. What and who this challenged God is and what it represents is something that differs for each individual. Yet we are all witnesses to the dismantling of her creation. You could say whomever God is: supernatural, a miracle or nature,  she’s used and exploited by fickle men with egoist mindsets.

The rock that is eternally pushed up the mountain represents history, which, though
possibly in a variety of guises, repeats itself endlessly. I would add: without genuinely learning from it. The other men in the picture are no celebs in this regard, but merely a group that enthusiastically and devotedly follows a supreme leader, which is the one manifesting itself by masculine scream and roar.

Read whole article at: https: //artdependence.com/articles/power-history-and-change-the-art-of-marit-otto/

Main Image: Marit Otto, Man’s World, Acrylic on canvas

More works on Art to Collect

T (a junction)

T (a junction)

Pen en ink on paper/ Pen en inkt op papier

70 x 70 cm

2025

T (a junction)- pen and ink on paper -70 x 70 cm 2025
T (a junction)- pen and ink on paper -70 x 70 cm 2025

Choice is change. It never ends.

Once you have set out in a certain direction, you will never really know what might have happened had you chosen to go the other way.

Conscious choices, however uncertain and debatable, are better than thoughtlessly taking sides.

Almost Sold Out

Almost Sold out

Pen en ink on paper/ Pen en inkt op papier

70 x 70 cm

2025

Almost Sold Out 2025- Pen and ink on paper - 70 x 70 cm
Almost Sold Out 2025- Pen and ink on paper – 70 x 70 cm


Life as we know it: ‘Only few left. Don’t miss out. Last stock. While stocks last. Everything apparently has its price.  Does it matter? Should it matter? Cause before you know it, it’s gone.


Het leven zoals dat gaat: ‘Er zijn er nog maar een paar over. Mis deze kans niet. Laatste voorraad. Zolang de voorraad strekt. Alles heeft blijkbaar zijn prijs. Doet het er toe? Zou het er toe moeten doen? Want voor je het weet is het weg

Publicatie | Publication

Vandaag, 12 augustus, een mooi stuk over de expositie ‘Message From Gaza’, in het het Dagblad van het Noorden.

Today, 12 August, a lovely piece about the exhibition “Message From Gaza” in the Dagblad van het Noorden newspaper.

PUBLICATIE DAGBLAD VAN HET NOORDEN - Joep van Ruiten
PUBLICATIE DAGBLAD VAN HET NOORDEN – Joep van Ruiten


Dit zijn de eerste regels;

“Er zit iemand met opgetrokken knieën op een muur, waarachter een vluchtelingenkamp begint. Een grote bende is het, met ergens tussen de tenten en rotzooi een Palestijnse vlag. Het affiche dat Erik Knegt heeft opgehangen bij de entree van MicksArt Gallery in Emmen spreekt voor zich. Zo niet, dan is er nog de tekst die een kleine tentoonstelling met kunst uit Gaza aankondigt: “How can a person lose everything he owns and not lose his mind?”

Met uiterst beperkte middelen, onder erbarmelijke omstandigheden, proberen Palestijnen de situatie waarin ze leven in beelden te vatten.”

Joep Van Ruiten (Dagblad van het Noorden)

Ik ben heel blij met deze publicatie en ik hoop dat het veel mensen in beweging zet iets van deze jonge Palestijnse, Gazaanse kunstenaars te kopen!

Message From Gaza
Prints en foto’s van Ahmed Al Daalsa & Hussain Al Jerjawi
MicksArt Collectief & Gallery, te Emmen

Of zo: https://maritotto.nl/pre-sale-how-can-anyone-lose-everything-he-owns-and-not-lose-his-mind/

These are the first lines:

“Someone is sitting with their knees drawn up on a wall, behind which a refugee camp begins. It is a large mess, with a Palestinian flag somewhere among the tents and rubbish. The poster that Erik Knegt has hung at the entrance to MicksArt Gallery in Emmen speaks for itself. If not, there is also the text announcing a small exhibition of art from Gaza: “How can a person lose everything he owns and not lose his mind?”

With extremely limited resources, under appalling conditions, Palestinians are trying to capture the situation in which they live in images.”

Joep Van Ruiten (Dagblad van het Noorden)

I am very happy with this publication and I hope it will inspire many people to buy something from these young Palestinian artists from Gaza!

Message From Gaza
Prints and photographs by Ahmed Al Daalsa & Hussain Al Jerjawi
MicksArt Collective & Gallery, Emmen

Or here: https://maritotto.nl/pre-sale-how-can-anyone-lose-everything-he-owns-and-not-lose-his-mind/

Occupied

Pen/ink on paper

(Nederlandse versie)

70 x 70 cm

2025

Occupied - pen/ink on paper- 70 x 70 cm -2025
Occupied – pen/ink on paper- 70 x 70 cm -2025

How are things there?  How does hunger feel? How does it feel to be slowly erased? How does it feel to dominate the news but still not be seen? What would I do if my country was occupied? Would my resistance be armed? What if the aggressor was once a victim too? And what if that is precisely at the root of this mayhem .

It keeps me occupied, it keeps them occupied.

Serenity Now

Pen (ink) on paper

70 x 70 cm

2025

Serenity Now - Pen on paper- 70 x 70 cm 2025
Serenity Now- Pen on paper – 70 x 70 cm- 2025

To be connected and being connected can be of a completely different nature.

To be in touch, getting in touch and a physical touch can be worlds apart.

An introspective gaze does not necessarily mean you are soul searching.

Title is inspired by the comedy Seinfeld. 

MAN’S WORLD

Hereby I present my latest artwork to you:
MAN’S WORLD

Man's World - Acrylic on canvas -180 x 100 cm- 2025
Man’s World – Acrylic on canvas -180 x 100 cm- 2025

Acrylic on canvas

180 x 100 cm

2025

Part of the Brave New World series

James Brown cried; ‘It’s Mans World’,

Do you know that man makes money

To buy from other man

………………………………………….

This is a man’s world

But it wouldn’t be nothing, nothing

Not one little thing without a woman or a girl

…………………………………………

He’s lost in the wilderness

He’s lost in bitterness

He’s lost, lawd have mercy now, in loneliness

……………………………………………

I’ve condensed it a little on the key points.

And then I imagined Joe Jackson replied with his Real Men;

…………………………………………….

What’s a man now? What’s a man mean?

Is he rough or is he rugged? Is he cultural and clean?

Now it’s all changed, it’s got to change more

‘Cause we think it’s getting better but nobody’s really sure

……………………………………………………………………

And so it goes, go ‘round again

But now and then we wonder who the real men are

……………………………………………………………………

Time to get scared, time to change plan

Don’t know how to treat a lady, don’t know how to be a man

Time to admit what you call defeat

‘Cause there’s women running past you now and you just drag your feet

………………………………………………………………….

Man makes a gun, man goes to war

Man can kill and man can drink and man can take a whore

Kill all the blacks, kill all the reds

And if there’s war between the sexes then there’ll be no people left

…………………………………………………………………………

And so it goes, go ‘round again

But now and then we wonder who the real men are.

………………………………………………………………………..

And again me condensing it on key points…… but still, a mans point of view on men and I agree on it.

Mans World By James Brown:

Real men by Joe Jackson

Het Zwols Stadsatelier

Het Zwols Stadsatelier

Met gepaste trots presenteer ik Stichting Het Zwols Stadsatelier. Vrijdag 20 juni J.L. opgericht en statutair vastgelegd en bij de notaris beëdigd (heet dat zo?) Samen met Gina Draaisma en Jos Mulder vorm ik nu het 3 koppige bestuur van een concept wat hopelijk binnen nu en 6 maanden vaste vorm gaat krijgen.

Omdat we nog volop in een onderzoeksfase zitten en nog allerlei punten op I’s moeten zetten, zeg ik er inhoudelijk nog niet te veel over.

Wel kan ik zeggen dat we hele vruchtbare gesprekken hebben gehad met beleidsmakers en leegstandbeheerders. Het is nog best een ingewikkelde maar mooie culturele, sociaal maatschappelijke puzzel die we moeten leggen.

Meer hierover volgt maar dit eerste concrete wapenfeit wilde ik vast met jullie delen.

Ik bedank de regeling ‘Oog voor Impuls’ die deze onderzoeksfase/verkenning mede mogelijk heeft gemaakt.


Wordt vervolgd.

Denk je toch hierin iets te kunnen of willen betekenen, mail of bel mij.

(English version)

Het Zwols Stadsatelier

With pride I present The Zwols Stadsatelier Foundation. Friday, June 20, J.L. established and statutory and sworn in at the notary (is that how it’s called?) Together with Gina Draaisma and Jos Mulder, I now form the 3-person board of a concept that will hopefully take shape within the next 6 months.

Because we are still in a research phase and still have to fill in some blancs, I won’t say too much about the content.

What I can say is that we have had very fruitful discussions with policy makers and vacancy managers. It is still quite a complicated but beautiful cultural, social puzzle that we have to put together.

More on this will follow but I wanted to share this first concrete achievement with you.

I would like to thank the Oog voor Impuls’ (Eye for Impulse) organization that made this research phase/exploration possible.

To be continued.

Do you think you can or want to mean something in this, please mail or call me.

EXHIBITION: How Can a Person Lose Everything He Owns And Not Lose His Mind, a joined venture.

(Nederlandse versie)

How can a person lose everything he owns and not lose his mind? -exhibition
How can a person lose everything he owns and not lose his mind? -exhibition

A special sales exhibition at MICKSART in Emmen, NL, by two artists from Gaza: Ahmed Aldaalsa and Hussain Al Jerjawi. They both depict, as artists, eyewitnesses and suffering subjects from the very start, the hopelessness, violence and dejection in a devastated Gaza.

This exhibition is an initiative by me, Marit Otto and MICKSART gallery owner, Erik Knegt.

The exhibition will run simultaneously with the Harvest exhibition from July 20 to November 9, 2025. In this exhibition some of my latest artworks will be on display as well: Speechless, Sea Of Tranquility and A Mans World (a work in progress).

Auction: Especially for this theme, a pair of curated bio-based sneakers from the Saye brand, X- Made by Marit will also be auctioned and the proceeds will go to Doctors Without Borders. Bidding is possible during the opening of both exhibitions.

Visit this exhibition and group exhibition Harvest at MICKSART
from 20 July to 09 November 2025

Captain Grantstraat 24 | T: 06-57193375| E: info@micksartgallery.nl
Opening hours Monday through Saturday: 10 a.m. to 5 p.m. . Different times can be arranged for groups

Revenues go directly to Ahmed and Hussain

Read more: https://maritotto.nl/exhibition-how-can-anyone-lose-everything-he-owns-and-not-lose-his-mind/

Pre sale: https://maritotto.nl/pre-sale-how-can-anyone-lose-everything-he-owns-and-not-lose-his-mind/

Artworks can be picked up at the end of the exhibition – 09 november.


Artistic message from Gaza 03: WALL

(Dutch version)

Drawing by Hussein Al Jerjawi
Drawing by Hussein Al Jerjawi


In this post I feature a drawing made by Hussain Al Jerjawi, a young artist from Gaza (17)

Hussain is a student of Ahmed Aldaalsa from whom I showcased his work earlier.

Ahmed has been a guest artist on my website since 2024, since his exhibition in Kunstruimte het Langhuis Zwolle titled Gaza’24. Hussain is joining him there now as writer Tasneem Ayyad does too.

Hussains drawings tell the same story as Ahmed. Now the situation in Gaza is interpreted through his eyes and hands and again he gives us a glance of the situation in Gaza.

Soon both artists Ahmed and Hussain will showcase their work in a Dutch Gallery, MicksArt Collectief in Emmen. More about that soon

The situation in Gaza is pure horror. Yesterday I heard on the news that even the food aid by the Israeli – American GFH is controversial. It is used as a weapon and contributes to Israeli Prime Minister Benjamin Netanyahu’s war aims. People got shot and died during the distribution of (too little) food and medicine. The UN has rejected the controversial US-Israeli aid plan and is not involved.

Want to help these young artists? Soon their prints will be available but until then you can help them by donating to their Go- Funding Page, it can be found on my guestpages.

Hussain: https://maritotto.nl/guest-hussain-al-jerjawi/
Ahmed: https://maritotto.nl/guest-ahmed-aldaalsa/
Tasneem: https://maritotto.nl/guest-tasneem-ayyad/