Hereby I present my latest work, Life Is Too Short, To you
Life is too short to be negative.
Life is too fickle to be naive
Life is too dynamic to be relaxed
Life is too unfair to be positive
Life ends that makes it relative.
This image is a digital collage of pictures I made in Rome (2022) Man holding his head and massaging his temples was posted on a bridge crossing the Tiber, the Tiber is now flooding behind the man, the graffiti found on a wall somewhere in Rome. La Grande Bellezza.
Wankel Evenwicht is een groepsexpositie in het Hoogkoor van het Academiehuis, Zwolle. De expositie is van 25.04.25 tot 08.06.25. Deelnemers: Everdien Post – Marian Dorothe Visscher – Jan Pieter Gootjes – Ludie Gootjes Klamer en Jolan van de Waeter en ikzelf, Marit Otto
Opening 25 april om 11u – Academiehuis Zwolle. Welkom!
Speciaal voor deze expositie heb ik de kunstinstallatie W.I.P. (Work In Progress) gemaakt. Een interactieve installatie van 4 meter breed en 2 meter hoog. Waarover ik later meer zal vertellen.
De expositie Wankel Evenwicht is een bijzondere verkenning van het maatschappelijke thema: “Hoe kunnen we samen leven” in een tijd van verandering. Deze tentoonstelling is het resultaat van een unieke samenwerking tussen zes Zwolse kunstenaars, ontwerpers en de gemeenschap, waarin kunst en erfgoed samenkomen om de complexe vraagstukken van onze samenleving aandacht te geven en in beweging te krijgen.
Deze tentoonstelling is geen eindpunt, maar een startpunt voor gesprekken, bewustwording en actie. Laten we samen verder verkennen en ontdekken wat het betekent om echt samen te leven.
Hereby I present my latest artworks to you; ‘Enable & Disable (diptych)
Acrylic on canvas
50 x 50 x 1cm each
2025
Enable and disable; these words hold power to switch on or off. Each time we are asked to enable or disable we take a turn in one direction. This trivial action may have implications.
As individuals we sometimes seem and feel powerless but together we can be a force of change, if we choose to.
Sadly, the global unregulated free market in its current form has been proving destructive to the planet but is now endangering our democracies as well.
At the root of every product is a producer, but then there is also, ultimately, a user. We are that users. Without a user a producer is a king without a kingdom, an empty, harmless shell. So what we as consumers do, buy and use matters. We are able to enable and disable. Switch on and off. With every purchase, we enable someone at the end of the line. We are able to make kings rise and fall and disable or enable anyone who can or can’t handle our confidence and saves or steals our future.
Hereby I present to you; ‘Serious Attitude (this is not democracy)’
Digital artprint on paper
50 x 50 cm
2025
I captured this situation when I was in Luxembourg some years ago.
I altered it a bit and have taken it to the actuality.
It’s a symbolic comment.
Wonderful news, my painting ‘ Last Gatekeepers Of Lost Revolutions’ has been shortlisted in the Singulart International Women’s Day 2025 Award!
The jury states that it stands out with its unique perspective on the theme of (female) Bravery.
About the work itself:
Hovering female figures spreading their arms wide open and floating around. They are jumping and moving simultaneously. They are clearly present and strong. The last gatekeepers is referring to a world where young men, the proverbial sons, are sent to war by other men. This is why, I believe, when women rule, wars will end. No mother in her right mind will ever send her child voluntarily to a war, any war.
Last Gatekeepers Of Lost Revolutions is part of the Metropolitan series and is currently on display in Bruxelles handled by Bernice, Art Rental and Gallery in Temse.
Check this work at; https://www.singulart.com/nl/kunstwerken/marit-otto-last-gatekeepers-of-lost-revolutions-54563
More about the Metropolitan series: https://maritotto.nl/metropolieten-2017-2/
Anxious to hear the final verdict, I’ll keep you posted!
Sea Of Tranquility 2025
Acrylic on canvas
155 x 90
Part of the Brave New World series
This painting features 7 alienated versions of me.
I am not truly at ease with the concept of AI, but as an image creator, I felt the need to know where the future of image creation is heading. So I started my first investigation into AI in Photoshop.
I used a recent picture of myself and simply instructed the conceptual toolbar: ‘’improve‘’. The result of this one instruction was a bit of horror meets a VR-loving alien. A surprising and baffling introduction to AI, but not really a compliment.
I now imagine that in its eyes, my request for improvement could only lead to something that would visually resemble a physical version of itself, just like the creator who created humankind in his own image. As uncanny as this outcome was, it inspired me to create this canvas on which a more sympathetic version of this raw first artificial draft, times seven, rises from a restless sea of tranquillity.
I thank AI for this inspiration, but I am not sure if I will become a frequent flyer, though; probably I will and without knowing that I do, just like the rest of us. She is beyond us.
I’m not sure our lives will get better with AI and all that it embeds and will encapsulate in the future.
If it were up to me (it is not), I would rather live life with all its beautiful, natural imperfections and oddities with the certainty of death than become a servant of a perfect faceless system with a poor imagination.
This painting is handmade.
Pen and ink on paper 70 x70 x 2 cm
Hereby I introduce my latest artwork ‘Fly Now Pay Later’ to you
If only we had wings and winged words that could fly us everywhere
If only we could save our last treads of evaporating fantasy
A free flight to the middle of nowhere
We will compensate,
later.
Hereby I introduce my latest work ‘Silicon Valley’ to you.
Two silicone brains and adhesive letters on metal base 50cm x 25cm x ± 20 cm
Now on display @ Kunstruimte Het Langhuis
Freedom is a dance a movement, those who stand idle and unmoved will sooner or later find themselves dancing to the tune of another
Silicon Valley ergo Uncanny Valley
(voor Nederlandse versie klik hier)
Hereby I present my latest artwork,
Futile Fish Eyed Vitreous Gaze, to you.
Part of the Side Show Series
Thats me staring back at you
Hiding behind the cameralens
Exploring the room with me in it
It seems a whole universe with me on it, I’m on it.
(klik hier voor de Nederlandse versie)
Hereby I present my latest painting to you.
In Our Nature – 2024
Acrylic on canvas
70 x 70 cm
Part of the Side show series
The blue letters on a paper bag smiled at me from the roadside, It has been there for a while, at least a few days. Yet it hasn’t been so long that either the blue is discoloured or the bag half-decayed. It still looks fresh. Next to the bag, scraps of what was probably a burger. A piece of grey matter in yellow-pink goo hangs bloodlessly from a white bag, with green limp lettuce leaves and a sliver of tomato as irrefutable evidence of knowledge of good nutricion. A pair of soulless and limp fries stick out of a bright red cardboard container. A striped straw protrudes triumphantly from a large white cup with plastic cap which combined with the red tray of fainted fries gives a festive look. What a happy meal this must have been.
Everywhere I look I find these silent testimonies of feeding frenzy that apparently had to take place then and there and that after a big burp of pleasure suddenly became too much. Was it too heavy on the stomach to move what was left just an inch?
Evidently, that which was picked up, wheeled around and nibbled on full of desire and gluttony had to be disassociated from as soon as possible, immediately in fact.
Those who love blue letters can move from A to B while scrabbling. Those less fond of it see mostly a correlation.
